Exit Film Lyric Music Radiohead

This October, when Radiohead release their highly anticipated follow-up to 1997's guitar-driven OK Computer, music critics may very well bestow the Oxford quintet with "The Most Important Band in Rock" accolade that cursed U2, R.E.M. and the Clash. The East Coast editor of Launch magazine, Randall is undoubtedly one of the many journalists eager to exclaim "genius!" again, but his biography of the Grammy winners is economical, restrained and unauthorized (band members "respectfully declined" Randall's requests to cooperate). After briefly reenacting the now mythic June 1997 concert at New York City's Irving Plaza, attended by rock's superstar aristocracy (Bono, Lenny Kravitz, Madonna, etc.), Randall smartly spends most of his narrative on the band's fascinating, decade-long conception in and around culturally barren Oxford, whose Radiohead landmarks he visited and lays out. Non- and neo-Anglophiles will especially appreciate Randall's definitions of British terms and background on the British music industry, music press and education system (all five musicians met at the all-male Abingdon School). As for the inevitable "record critique" chapters, Randall rarely throws in his two cents, preferring to sprinkle passages with the band's own pithy observations and recording-session anecdotes culled from magazine interviews. Exit music? Not quite, as Radiohead are pushing the boundaries of pop music (the new record is rumored to include Miles Davis and backwards singing). Because the book will be published right before the new album debuts, it will be nearly out of date by the time it hits bookstores. However, Randall's work will still serve as a reliable introduction to an ever-evolving band.

"Frank Loesser could write authoritatively in virtually any style and, frankly, did," observed composer-lyricist Maury Yeston. "A genius melodist and a supergenius lyricist, only he would ever rhyme 'pelts' with 'else' ["Take Back Your Mink"] or 'India' with 'been to ya' ["They're Either Too Young or Too Old"] while simultaneously combining a crackling intellect with a heart as big as the moon." Frank Loesser-who, like Irving Berlin and Cole Porter, wrote both music and lyrics for his shows-has been called the most versatile of Broadway composers. His five musicals are among Broadway's most creative and enduring achievements: "Where's Charley?, Guys and Dolls (for which he won his first Tony Award), "The Most Happy Fella, Greenwillow, and "How to Succeed in Business Without Really Trying (for which he won both the Tony and the Pulitzer Prize). But well before Loesser wrote his first show, he was known to America for the song hits of his Hollywood career, including the Oscar-winning "Baby, It's Cold Outside," "On a Slow Boat to China," "Two Sleepy People," "Heart and Soul," "I Don't Want to Walk Without You," and "Spring Will Be a Little Late This Year," as well as the wartime hit "Praise the Lord and Pass the Ammunition." Robert Kimball and Steve Nelson have gathered lyrics from such varied sources as rare private recordings, the personal files of Frank Loesser, and the archives of various film studios. Here, too, are photographs of the stars who helped make Loesser's songs famous, such as Bob Hope, Dorothy Lamour, Marlene Dietrich, Ray Bolger, and Betty Hutton. Kimball and Nelson's research has yielded many previously "lost" lyrics, making it possible for the first time tofully grasp the extent of Frank Loesser's extraordinary talent.

Exit Music (For a Film) - Exit Music (For a Film) is a song by Radiohead, written specifically for the ending credits of the 1996 film Romeo + Juliet. Although not included in the soundtrack at the request of Thom Yorke, the song appears on the band's highly acclaimed third album, OK Computer (1997).

Music From the Film More - Music from the Film More (often referred to simply as More) is Pink Floyd's first full-length film soundtrack. The album actually comprises re-recordings of music used in the film, often in very different form.

The Music Box (film) - The Music Box is a 1932 three-reel (thirty minute) short subject, produced by Hal Roach, directed by James Parrott, and released to theatres by Metro-Goldwyn-Mayer as part of the Laurel and Hardy series. The film, starring Stan Laurel, Oliver Hardy, and Billy Gilbert, is the most recognizable film in the Laurel and Hardy series, in which Stan and Ollie must deliver a heavy player piano up a preposterously tall flight of stairs.

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